Pam got married last weekend, which was a year after starting her practice. He seems like a great guy, we are very happy for her.
We climbed a lot during her breaks from college and training. For a few months she lived in Tacoma, which made for a bunch of gym and Index trips.
She is the only one of my nieces and nephews with whom I ever spent any serious time. Though I’ve also been on a few 3 day trips with her brother, who is a great climber as well.
David and Beth moved too far away for me to really get to know. We used to see all 7 of the cousins every Thanksgiving back when Grandma was alive. But then we all got older and people spread across the country. I feel lucky to have climbed with Lisa, Clint, Pam and John as much as we could given our busy lives.
Pam asked me to play guitar as she walked down the aisle. I was supposed to start singing when her grandma walked. Because I had to keep looking up at the walkers, I lost my place for a few agonizing seconds, and had one of those awful stage fright moments where nothing made sense. My harp and guitar which had been flowing so well fell into a discordant mess of broken sounds. I saw the two people in the front row looking at me in surprise. I panicked and made a snap decision to switch from instrumental to voice, regardless of who was walking.
I was fine after that, and none of my relatives noticed…or said they didn’t…but it made me frustrated. I’d practiced so hard to nail it down. And to make a major flub like that was…well, at the end of the day…I’m just an average Joe, not a professional wedding performer. I have to cut myself some slack.
We left after the ‘ball and chain’ event and drove out to the Oregon coast where I did too bad paintings. My pen and ink is not practical for fast plein air. I mean, duh. Everyone knows pen is super slow. I need to practice loosening up and drawing more frequently in a sketchy style. Or just go back to pastel. Pastel is so quick on color paper. It’s pretty as soon as you put in the high lights. How did I get sucked down this urban sketcher dead end?
Facebook and Instagram had a 6 hour outage yesterday. I was painting all day and didn’t even notice. That’s how it should be. I have no need to ‘build my brand’ anymore. I’m retired. I should close all my accounts. My new friends from Idaho aren’t on social media at all. Many people aren’t anymore…like Sue, Clint, Pam, Paul and Chad. The entire concept of Social Media is flawed from the get go. I would be wise to let it all go.
Since I wrote last I’ve been on two, week long road trips and numerous day trips to Index. James and I spent 5 days at Index climbing moderates. And just two days ago I returned from a solo trip to the City where I met 10 new ‘over 50’ partners in a Mountain Project event. It was a week long event and I had a great time climbing with new friends, some in their mid seventies.
I led all the standard moderates, both trad and sport. Highlights were Sinocranium with a party of grey and white haired folks. Who needs young people?
My best lead was the run out 5.9 Mystery Bolter route down at Flaming Rock. I also got to dance up Rain Dance, in the rain.
Tuesday I painted the mountain with Sue. She always drags me out hiking the minute I get back from a road trip. I’ll be suffering major jetlag from the drive and she’ll be like:
“Let’s go hiking, you can bring your paints!”
I was hiking with a major bad attitude up there, cursing life in general. But the mountain worked it’s magic. The Red Bull that I hauled up didn’t hurt either. First time I’ve tried to paint after one of those nasty brews.
I was really shocked to see the painting coming to life. We got a late start, so I had to rush the pen work, making copious structural errors. I finished most of it from 2:30 to 4:30. It’s not bad for a 2 hour rush job.
I started my Spring trip by driving solo down to Vegas. There was a long stretch where 93 turns to 6 south of Ely where there was no cell service. I remember pulling over at an intersection. My maps app had died, the no stoplight town was long dead and abandoned. I had no idea which road to take at the Y junction. I got out my paper Atlas map of the country and figured that South was a good guess and drove. Fortunately I had a full tank of gas.
I got up on a pass where it was snowing lightly and pulled over. Still no cell service. Before leaving town I’d installed my HF ham radio in the Tundra. I got out, tuned the antenna to the twenty meter frequency band and spun the dial on my Icom IC-7300. I heard a couple guys in New Hampshire having a friendly competition to talk to every grid square (sort of like counties) in the country. It’s like Bingo, they color in their paper map as they talk to the grid squares. I told them I was in Nevada and they got all excited.
“Where are you in central Nevada? We don’t have any grid squares because no one lives there!”
“I know, I’m driving down a random highway and haven’t seen a soul for hours!”
“Can you look up your location on your phone?”
“No cell service, I’m glad I have this ham radio.”
I continued to talk to those guys, and a dozen others as I racked up the dusty deserted miles in my trusty Tundra. It was really cool to be able to reach out into the invisible airwaves in the absence of a cell signal.
As I pulled into Vegas Aaron invited me to drop by for dinner and some music. He plays banjo and is an old Tacoma friend going back 8 years. We got up in the morning and climbed the 5.7 Group Therapy route to the left of Purblind Pillar. It had a long 7 inch chimney that had me wishing for more big gear.
The next day I hooked up with Kena, Tony and Cole for Cat in the Hat. The last two pitches were intimidating as I was so rusty. Cole led the last (4th?) pitch with the bolted runnout. That took me to Monday and I needed a rest day. Two days of driving followed by two, long approach multipitch routes had me hammered.
I did a bad painting in the afternoon, and activated Red Rocks in the morning with my Icom 7300, making about 25 contacts. The next day the four of us hiked up to do Johnny Vegas. We found a slow moving party of 3 women doing a NOLS training climb and bailed to Solar Slabs Chimney. It turns out they weren’t that slow, but you have to go with your gut in those situations. The chimney was super fun and relaxing climbing. At the top the sun was blazing down and we bailed.
I’m having trouble remembering what I did every day now, it being 5 weeks in the past. Kena and Tony and I continued climbing. We had a splendid day at Physical Graffiti, one of the best 3 pitch 5.6’s anywhere. We also did one of the pitches of Big Bad Wolf 5.9 sport. Then Tony left Thursday to be replaced with Pamela, another OB/GYN doctor and we three climbed at Panty Wall.
On the weekend, Aaron was off again and we climbed Ragged Edges, a two pitch 8? that was uber cool. By Monday, everyone had flown home or gone back to work so I drove toward to Moab to meet Fletch who was off work Wednesday evening. I stopped near St. George and activated a random state park on the way. Ham radio is a fun diversion. The wind almost broke my antenna again. I picked up Fletch at Grand Junction airport in Colorado after camping two nights at Courthouse Rock. We met up with Lisa and Brian and drove to Beef Basin. I led Generic Crack with some hangs…it’s so long! I should have taped. My crack gloves were too thick. I followed Chocolate Corner and a few others.
In the morning we drove all the way back through Moab to the famous Fisher Towers Ancient art route. I’d been hearing about Fletches adventures with our friends there for at least a decade. It looked extremely intimidating in photos. I’d heard it described as climbing mud, rotten everywhere, with loose bolts a plenty. But it was actually reasonably safe, for a desert tower.
Fletch backed off the last pitch. I couldn’t blame him, it looked extremely dangerous. I decided to go take a look, since he’d already clipped the first 3 bolts. There was no way I was going to stress those bolts on that weak tower with a lead fall. I french free’d all of them, even added two cams to get to the top.
That took us to Sunday and Fletch decided to go to work. I dropped him in Moab and met Cole. This was kind of a pattern. I’d wear out a couple partners and new ones would drive or fly in to replace the old ones. I never stopped climbing for 3 weeks. Well, I did take a few rest days to paint, and one was forced on me by rain…but yeah, I basically never stopped hustling the whole trip.
Cole and I climbed at Donnely where I led Chocolate Corner clean (Yes!) and Supercrack not clean. Then it rained and I did a nice painting at Beef Basin. Next day I painted Delicate Arch, Cole left and I picked up Fletch from work and we climbed Castleton Tower in a 17 hour day. Young people do Ancient Art and Castleton in a day…but wait until they are 67…well see how many linkups they can pull then.
We were tanked after that and headed home with a brief stop at The City where I led (finished) Rye Crisp. We were both clearly done with climbing. When I got home I started to spend some time with my grandaughter Rose. Sue likes to babysit her. I’m starting to warm to her also. She seems to tolerate me fairly well.
I’ve been up to Rainier once and did a great painting with pen and Gouache.
It’s been 20 days since arriving home from my 22 day holiday trip with James. We left on the 18th after the fall quarter ended. and drove to Zion in two days, sleeping once in the snow up on the Blue Mountains. It was a weird campground. Who keeps a campground open with 6 inches of snow on the ground? The rain and melting snow were pelting down at a furious rate all night. I wondered if we might be snowed in for the winter, but there were a few other campers around and I knew we’d get out eventually. The freeway was only a block away.
Next day we made it to a free camp spot outside Zion near Springdale / Virgin. Sue and I have camped there before. James left his tent up for 4 nights with no problem. The most we saw there was 5 cars. The next day we got to the Angels Landing parking spot around 8am and as soon as I drove into the crowded gravel lot I was immediately surrounded by other cars jamming in. It was merciless. I backed up into a fishy spot that potentially could have blocked other cars from leaving, unless they drove backwards and around the lot. But I had no choice. My truck was too big to back out, that was like swimming up river. I was soon blocked in myself by cars doing much worse parking jobs right beside me. James was like: “Well, you’re not in Kansas anymore.”
We cooked breakfast in the dirt then packed up and started the hike. To save weight I took my oils out and put my gouache kit in my rock pack. Angels Landing is an extremely dangerous hike. It’s far worse than the cables route on Half Dome. The chain railings are secure enough, assuming some out of shape tourist doesn’t fall off and cause a chain reaction. But what if you pull a muscle in your hand, or slip, and and can’t hang on? The worst spots were some sandy slabs where there were no chains. Who decides these things? On a climbing approach we’d belay the hell out of slabs like those. There were huge drop offs below them.
The trail looked endlessly dangerous…but was actually quite do-able….as long as I kept my cool. People hike it all day long. I did regret my huge pack. No one had as large a pack as my art pack. But, I did do a reasonably good painting considering we’d just driven a thousand miles in the last 35 hours.
I need to sew a lighter pack, one that isn’t so overly re-enforced everywhere. It just needs to be good enough for skiing and gouache painting days. Probably should have a zipper in the back for repair access…with a vinyl bottom.
Next day I painted Upper Emerald Pool, badly. I just couldn’t seem to get my game face on. Day after that, our third day at Zion, we tried to climb the Mountaineers Route. It used to be like Angels Landing with cables everywhere, built around 1920. It was chopped in the eighties when maintenance became too expensive. There is lots of evidence of the old tourist route in the shape of chopped one inch iron bolts and polished footsteps carved into the sandstone.
James was totally comfortable free soloing death slabs but I hated it. At one point, I was traversing a slab with a huge drop off. There was a bush 50 feet down that might have stopped a slide towards the drop off, or maybe not. We actually had a discussion about the odds of landing on the bush, versus missing it and plummeting into air. James was already across with the rope. The cliff ahead got steeper and was forcing me backwards. The ledge narrowed down to 2 inches of horizontal “trail” on the steep sandy slab. It was about as steep as Slender Thread at Peshastin.
As I stepped forward there was a prickly bush that forced me even farther backwards off balance toward the drop off. I thought of calling James for a belay, but he was out of sight around a corner scampering happily along. With no other options, I grabbed a half inch thick branch of the bush and edged forward thinking: This is a really stupid way to die. I made the move, the flat spot on the slab got bigger and I was able to “hike” another block or so before the same scenario repeated itself. This time I hollered for James. He came back and was able to get me a top rope by scampering up to a 2 inch bush behind which he could belay. All together there were 5 places I had him belay me in the thousand feet we climbed. People on Mtn Project were saying they either free soloed everything, or belayed maybe twice.
I have zero tolerance for mountain climbing. People who enjoy the danger are made from sterner stuff than me. I like the “relative” safety in rock climbing. Sure, it’s dangerous, but so is driving in the dark in a heavy rain storm at 70 miles an hour. Mountain climbing involves a lot of movement over 5th class terrain with no rope. It’s more like that same rainstorm, in the dark…but on a motorcycle. Your margin of safety is very narrow while mountain climbing. I’ve had 8 friends die mountain climbing. Any serious mountaineer will tell you the same stories.
But back to the cliff…we were only half way, a thousand feet up, and it was 2pm. I didn’t want to descend in the dark so we bailed. The rangers told us they were locking the gates next day, which was Xmas eve, the 24th. For three days we had been able to drive through the gate at 6 AM before the rangers arrived.
Beginning in the morning you would only be able to come in via shuttles, and only if you had a reservation. That was a non-starter for us and we bailed at dawn, driving to St. George in a few hours. We lucked out with a $20 camping spot at Snowy Canyon campground. Full service hot showers and everything.
Just Deserts is a lovely three pitch 5.8 with modern bolting…so fun! There is a three pitch 5.7 to it’s right. I led the first pitch, but bailed on the second after Dennis took a 20 foot whipper on a pin. It’s protected with half inch angles…but they held his whipper…I just didn’t want to chance it.
It was good we bailed because at the bottom James suggested doing another route, but I realized Dennis and Julie were probably having trouble finding the walk off. They should have been down an hour earlier.
I hustled around to the walk off an saw them at the very top, belaying down the wrong way. I hollered to look for a hidden manhole style tunnel to skiers left, then began climbing up to guide them down. James and I had just done the walk off earlier on Just Desserts, so I knew it well.
We got all got down and had a nice wood fire that night. Dennis brought the wood.
The next day they did Just Deserts while James led a horror show of a 5.6. 50 feet to the first manky cam, and it got worse from there. He has a dangerous ability to basically free solo chossy rock. He just keeps going up as the pro gets worse and worse. And he does it in guide tennies.
We joined Dennis and Julie where the routes converge and sailed to the top, where it started to rain, hard. Dennis set up a 3 cam anchor for a handline, which I happily used. Then we slid on our butts down the 4th class slabs. That night, they guided us up to Prophesy Wall where there is BLM camping…and 3 inches of snow.
In the bright white morning we drove to Jtree with a stop to see Aaron + Katie and the ham store in Vegas. I ordered the FT3DR general delivery to Jtree post office where it arrived 4 days later.
Jtree was fine, I led Hands Off, Damper, Toe Jam and a super fun new route called Penny Lane left of Double Dip. I tried to lead Stick to What and Touch & Go, but there were crowds of top ropers so we bailed to a nice little 5.8 chimney route left of Chalk Up Another One.
That’s basically the trip. It was 22 days on the road in the Tundra. I never got very good. I don’t know if it’s because I’m getting older, or if it was all the interruptions. Driving here, driving there, bad camp spots many miles from the cliffs, endless hours of driving, unfamiliar climbing areas….I have lots of excuses.
One of the things I really like about jtree is those lazy mornings at the campground. This is pre-covid of course. You get there, you stock up on food and you live the life until the food and water runs out. All the climbs are familiar, like seeing my cousins at a family reunion. There is very little stress. It’s conducive to getting real good real fast. Can’t wait get back down there after covid eases up.
I’ve been racking my brain for a way to make my painting pack lighter. Sue loves to hike, and I’ll put up with a hike if I can paint, but my art pack is too heavy. I tried acrylics, but so far I don’t like them. I’ve been seeing some nice work done with Gouache. It’s used like a little water color set, but with the ability to have opaque white, like oil. It also blends a bit better than acrylics, since it’s more like water color.
It drys instantly, between watercolor and acrylics for speed. So I don’t need a wet painting carrier box as with oils. I can go on a long hike with just a few sheets of paper, paints and my easel. So it should be extremely light…which means we can hike farther.
Don’t get me wrong. Oil is my go to medium. But for long hikes, it’s just so heavy. The squash was my first gouache painting ever. I’m about 6 hours in and liking the process very much. I predict a scenario where I do sketches plein air in gouache, then expand them in the studio with oil.
Update on 12 – 15: I’ve started combining pen with Gouache. Pen is great because if forces me into right brain mode faster. You can’t erase with pen and ink….so you either draw well quickly, or quit. There is a whole movement called “urban sketchers” that combines pen and watercolor in little 6 x 8 sketchbooks. You can pack the whole thing in a laptop bag and bicycle around town…or Europe.
California has locked down the campgrounds due to ICU capacity being below 15% in most counties. I’d planned my usual jtree trip as soon as the quarter was over…but now I’m hesitating. Even though Sue and I and C L probably had covid in February, I really don’t want to be ‘that guy’ who travels during a statewide stay at home order. I have the rest of my life to travel…don’t have to jump in the truck with no partner and violate all kinds of civic responsibilities because I want my vacation no matter what.
I have to clear out my desk at work Wednesday, and hand in my Master Key. I wonder if I’ll get a golden watch? Seems appropriate…but unlikely. I have over 600 hours of unused sick leave…wonder if it’s worth anything. I claimed two sick days in 20 years at this job. I’m going to miss John, Darryl, Ken and Joe. All really good teachers and top notch human beings trying to do their best.
Retired after 52 years of working
Cleared out my desk today. Ken was there, and Shawn in studio A. Went over to security to hand in my key and badge. Bunch of cars out front, lights were on, it wasn’t quitting time but they weren’t answering my knock. I think they were hoping I’d go away. I stood there under the porch in the heavy rain, lit by a small lamp, thinking: not much of a retirement party. I called the night number and Mark came over and let me in. I’ve had many long conversations with Mark going all the way back to Nancy in 1999 when I was a student there. But the lack of excitement was palpable: “Retiring after twenty years, huh, cool.”
Retiring is something you only do once. I guess my big event was back when our main program closed and I went from tenure to part time contract work. I met with the pres’ that day. I remember him saying: “Closing his program huh? We are losing a lot of experience and training here, shame to see you go. But now you’ll have more time to pursue other interests.” That must have been about 4 years ago now.
I am really liking having a painting going in the studio (our heated shed). It may be my best turban squash painting ever. And even if it’s not, it’s given me a lot of satisfaction. I haven’t painted large since my 30 inch water colors in the early nineties. This one is 24 x 36 inch. When I’m out there painting, I get a deep sense of peace, like, this is where I should be, and what I should be doing. I know it sounds like psychobabble but my mind gets very clear and I enter a “zone” where it’s just me and the painting. Everything else is forgotten. I’ve missed this…a lot.
Because it’s so large, it has a presence that’s undeniable. It seems to say: “Like me or hate me, I’m big, and I’m here to stay!” But speaking of that…this one is painted on 5 ply cradled maple plywood. It’s huge, it’s heavy and it will be difficult to store. Here I was thinking I was so clever to cradle a couple 36″ boards.
I’m realizing there was a reason Van Gogh painted on large canvases. He could take them off the stretcher and roll them up. When Vincent died, his brother found a shed full of rolled up canvases in perfect condition. They make for a very compact storage option. Even some modern painters prefer to work on unstretched canvases. They tape them to boards for plein air work. If they turn out, they can be stretched and mounted later. If they don’t turn out, they can be painted over like any bad work.
To that end, I just bought 3 yards of medium weight canvas for $36. I’m priming it for oils as we speak. Perhaps I’ll do some big jtree paintings. With this studio work, I should be warmed up enough to do some good work down there.
Pam and I just got back from 2 days at Darrington. Forecast was for 95 but we thought it would be cooler, it wasn’t. We got three pitches up Till Broad Daylight before rapping off in the extreme heat and bailing for home. The climbing was lovely, I sailed up a runout 5.9. I almost felt like I had my mojo back…until the sun hit me. There is zero shade at D-town. It felt like standing too close to a roaring palette fire at Jtree. Unbearable heat. Did I mention it was warm?
We ordered a canopy from a local company out in Parkland. It won’t be ready until October. It’s crazy how back-ordered all the canopy companies are. Some of the popup builders have one year wait lists. At least we will have it for the winter months. We are looking forward to having more room in the bigger canopy. I will have room for climbing, painting and a sleeping platform. For decades we had to haul heavy loads to the front seats and roof rack so we could sleep in the back. Now we should have room without a lot of heavy lifting.
I painted Comet Falls at Rainier the day after climbing Rattletail with Christine. It’s a palette knife painting and might be good. Three people asked me where my gallery was. Then the very next day I carried my heavy rock pack with two ropes up to three o’clock rock. That was 4 days of heavily loaded hiking in a row…in the heat. My shoulders hurt from the art pack backpack straps. That is my first hand sewn back pack, and the straps weren’t thick enough for 40 to 50 pound loads. Just tonight I sewed new 3 inch thick padded shoulder straps. They feel awesome, can’t wait to take them on another painting expedition.
Now that we are both getting SS checks I have less pressure to sell my paintings. Now, I paint because it’s fun, not because I need to sell them to make money. It’s kind of freeing knowing that I don’t have to sell my paintings anymore. I mean sure, it’s validating to have them sell, but knowing the good ones can stay with me is cool.
Vitaliy dropped by today with his wife and kid and new baby. So great to see him! He hasn’t climbed outside in a year. He is such a great climbing partner.
I have a bunch of new songs this summer: Difference between Whiskey and You, Cat’s in the Cradle, When you say Nothing at All, Shallow (Lady Gaga). I swore for decades that i could never memorize a song. Fletch persuaded me that I could, so I did. I’ve got Whiskey dialed.
I drew this a few weeks ago. I’ll let the work speak for itself. It’s 9 x 12 ink on paper. These climbing images are almost a month old. It’s Lisa and Pam following Plum pudding at the mid wall at Index.
I’ve always loved cow paintings. They are such an integral part of our culture going back a thousand years or more. I’m mostly vegetarian, though I will have a steak once in a blue moon. I’ve been sticking with the Plant Paradox diet for a couple months and have lost 7 pounds, keeping it off easily, even when not climbing. It’s more of a sustainable life choice than a diet. I’m not starving at all.
I do have to carefully calibrate now much carbs I eat. If I’m climbing hard, I will supplement the diet with some canned black beans and tuna. I’ve had a few “diet fail” days at the crags where I just hit the wall (The Dreamer route at Darrington). I can’t climb on a brocoli salad.
Alex, Kristi, Chris J. and Pam all spent some time at the City of Rocks with me over the last two weeks. I got there early and sketched for a couple days.
I did three pen sketches and two oils. We did a lot of the usual stuff on Elephant rock and the Breadloaves. My four days with Pam were the best as we are both hard core climbers, dawn to dusk.
Alex did do a hard lead on Crack of Doom 11c. I couldn’t get past the boulder move. I also got up Mystery Bolter with one hang. That thing is so intimidating. Those run outs are terrifying, yet the climbing is fine and quite sticky. You just have to stick to the main line, even left a little, as you pass the second to last bolt. Past the last bolt it’s dead easy right up to the anchor. We were surprised to find we could rap off with a 60 meter.
My hardest lead was Aspen Leaf 10a at the upper west breadloaves. I hung all over it, blew all the delicate stem moves. What’s weird is I think I led it clean with Julia ten years ago. Because of my constantly changing partners I never got on some of the harder trad lines like bloody fingers and private idaho. Still, two weeks of climbing in the city may have given me a good start on the rest of the summer at index.