Kristi loaned me her violin after our last jam session. When she plays that violin it brings magic into the room. Don’t know how such a small instrument can add so much beauty.<\/p>\n
On the painting side, it’s a nightmare to draw. There are countless complex curves that have to be rendered perfectly. And the wood…did I ever mention how hard it is to paint wood? Not to mention the strings, this was the first time I’ve tried to paint ultra thin lines.<\/p>\n
I also neglected to think about composition and started with the violin floating on white. All of my stumbling trial and error approach to painting is shown in these photos.<\/p>\n
I’m 4 hours into another angle. This time I’m drawing it bigger than life size. And I’m looking down the length of it. The tuning knobs are bigger and the neck is foreshortened. This makes it really, really hard…so hard I had to grid out the canvas, and look at the violin thru my little dental floss grid viewer….pictures to follow.<\/p>\n
For hour after hour I stood there trying, and failing, to draw it accurately. If something is life size, I can measure much more easily. I look, measure and draw it to size. But when it’s bigger, there is some mental transposing that goes on after I look. I can’t just draw what I see. I have to draw it larger.<\/p>\n
I know this doesn’t make sense. I draw stuff smaller than life all the time. That seems to be easier. Perhaps it’s that when you are drawing something so close you can touch it, it’s natural to want to make it life size?<\/p>\n
Alex and his son dropped by for a little ping pong today and I showed them the painting of the family violin. They were impressed.<\/p>\n
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