I am really liking having a painting going in the studio (our heated shed). It may be my best turban squash painting ever. And even if it’s not, it’s given me a lot of satisfaction. I haven’t painted large since my 30 inch water colors in the early nineties. This one is 24 x 36 inch. When I’m out there painting, I get a deep sense of peace, like, this is where I should be, and what I should be doing. I know it sounds like psychobabble but my mind gets very clear and I enter a “zone” where it’s just me and the painting. Everything else is forgotten. I’ve missed this…a lot.
Because it’s so large, it has a presence that’s undeniable. It seems to say: “Like me or hate me, I’m big, and I’m here to stay!” But speaking of that…this one is painted on 5 ply cradled maple plywood. It’s huge, it’s heavy and it will be difficult to store. Here I was thinking I was so clever to cradle a couple 36″ boards.
I’m realizing there was a reason Van Gogh painted on large canvases. He could take them off the stretcher and roll them up. When Vincent died, his brother found a shed full of rolled up canvases in perfect condition. They make for a very compact storage option. Even some modern painters prefer to work on unstretched canvases. They tape them to boards for plein air work. If they turn out, they can be stretched and mounted later. If they don’t turn out, they can be painted over like any bad work.
To that end, I just bought 3 yards of medium weight canvas for $36. I’m priming it for oils as we speak. Perhaps I’ll do some big jtree paintings. With this studio work, I should be warmed up enough to do some good work down there.