I’ve been watching some youtube videos about painters who work outside on 9 x 12 or 12 x 16 inch boards. Then they return to the studio and upsize the painting to a larger size more suitable for hanging in a living room.
I prefer to work at 16 x 20 but I’m learning that my skills aren’t quite ready to create sellable work. So these large plein air paintings bomb, which means I spend a lot of time sanding them down and re applying the gesso for another go.
Another route many artists go is painting on gesso covered canvas which is merely taped to gatorboard. Then if the painting turns out, it can be glued to a board and framed, or, if the board is cradled, it’s ready to hang without a frame.
I have never painted large in oils…but for a number of reasons I wanted to try it. First I needed to learn how to cradle a large board. 24 x 36 x 0.25″ boards will sag, so they have to be supported by a cradle on the back…which can also act as the frame, making them ready for hanging.
I borrowed my son’s miter saw, bought some high quality plywood and spent a few days out in my garage/shop learning how to be a carpenter. When I put the 24 x 36 inch oil gesso’d board on my carbon fiber easel, I realized it was too flimsy for a board that big.
I already have a heavy duty Bogen easel dating from my 4 x 5 large format camera days. But I had no way of mounting the board to the easel. Off to Lowes I went with only a rough idea of how I could build an easel from scratch. Man, I love inventing stuff from metal! I think inventing fits me better than painting. There is a cool combination of sketching, thinking and working with drills, saws and screws that’s just really fun. It’s also neat to put stuff together that is better (and cheaper) than what you can buy in stores. I guess I like solving problems. I will post pictures later.